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Onward and Upward Higher! — By Jack

…Continued from the post below. “What do you mean ‘you don’t talk to me that way’? I’m your fuckin’ CEO!” Max’s yell could be heard from his office, echoing through the bullpen. Donald stepped out of his office out into the open. He was going to make a show of it.

“You don’t call my assistants ‘your bitches’, you don’t call my sound mixers ‘incompetent fuck wads’ and you don’t call me–” Donald announced as if he were nailing a reformation on to the post schedule’s cork board.

Max stomped out of his office like a bully who just received a weggie from a chess club champion. He teetered on the edge of cool composure in the face of anger and going atomic. Then he stared Donald down which shut him up mid sentence. He was literally face to face. Noses no more than an inch away from one another.

Donald was a husky man, not quite thick enough to be called fat. Long gray curly hair that went down his back, topped off with a baseball cap. Mutton chops and a bushy mustache. He wore jeans, sneakers and a Spurs jersey. He was a man who had been bullied before, but couldn’t resist fighting back. Max on the other hand was never used to the push back. It dumbfounded and infuriated him. He had an Ari Gold style to match the temperament. Finely pressed silk-like khakis, French cuffed dark red shirt, a class ring on one hand, a Rolex on the other. And always perfectly trimmed hair. Everyday it looked like he walked in with a fresh haircut.

Max pulled away. “You know what? I was wrong. You’re not a shit stain. You’re a monkey. You don’t think I haven’t talked to people. Your crew? The network? The clients on location? You showin’ up late. 12 hour shoots that last 16 hours. Receipts for $300 dinners your crew says they never had. Footage that barely resembles the episode pitch. Hell I got editors working round the clock to fix the shit you told the DP to shoot. Makes me wonder what the fuck you’re doing. Then my brother sends me this.”

He pulls his phone to show him a video.


“And all I can think of is, that reminds me of Donald. It must be all you fuckin’ do in that office of yours. Because sure as shit nothing else is getting done.”

Donald is fuming. But he has no comeback. He knows he’s fucked up. The only person people bitch about more than Max is Donald.

“You need me to finish out the series, Max.”

“You know, I don’t think I do. I’m so confident in how worthless you are, I think I’m going to have…”

Max peers around the bullpen. He starts wagging his finger as if he was playing eeny, meeny, miny, moe. Finally he stops dead on me.

“Jack.”

“Seaver? He was a PA like three months ago. ”

“And he cast your whole show. He knows more about the companies than you do.”

“You can’t be serious! Max, bud!”

“I’m not your bud. I’m also not your boss anymore. Clean out your office and get the fuck out.”

Then Max walked off pulling out his cellphone to watch the Youtube video again. “I love that fuckin’ monkey drinking his pee! I’m going to call this the Donald video from now on.”

Donald couldn’t believe it. I couldn’t believe it. And neither could anyone else in the bullpen. Everyone was looking at me. Donald stood there for a second then finally turned to me and said, “Kid, you’ve no clue what you’re getting into. Good luck.”

–Jack Out

 
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Posted by on June 27, 2013 in By Jack, Writing

 

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Upward and Onward — By Jack

Meant for bigger things.

Lazarus Motors just pulled out. The crew is scheduled to land in Michigan two hours from now. And I didn’t get the location release ahead of time.

For anyone unfamiliar with television production, this is bad…very very bad. Without that release, a legal document agreeing to let us film the yacht builder’s facility, $600 plane tickets per crew member (of which there are 7) and 3 nights of $150 per night hotel rooms (also per crew member and also non-refundable) totaling $7350 dollars, will go to waste. That doesn’t account for day rates or travel expenses of those crew members or equipment rented or baggage fees. And when the airline doesn’t have media rates, a truckload of film equipment equals a shit load of baggage fees.

Long story short. I am fucked.

Back up nine months ago. Suffering 2 months of unemployment destroyed all my New York savings. I took a deli counter job. I was serving a chocolate cream pie when I made a joke to a guy on his third martini. I honestly don’t know what the joke was, but before I knew it the guy offered me a job at his documentary production company.

“I like you kid. You remind me of a really good shit I once took.”  He handed me his business card which, I swear, was made out of aluminum. Embossed in big letters was the name Max Luxburg. If I could have crumpled it up, I would have. But instead I gave him call the next day.

Before I knew it I was sitting in a cubical of a loud and hectic bullpen. Walls and floors made of marble echoed the chaos like a basketball court. But for the first time in my adult life I had an email address with my name followed by a company and weekends off. It felt good.

I started out as a production assistant, but instead of copying papers and making lunch runs, I was instantly given a short web series to produce.

“Knock it out of the park, penis head.” Ever since I shaved my head, I found I liked the bald look. But Max made no reservations about phallic comparisons. “You’re from New York. You know how to get things done.” Then he got on his motorcycle and drove out the emergency exit from his office.

To be honest, producing the show, a collection of short segments about pet stores around Los Angeles wasn’t that hard. It mostly involved calling stores and shelters, trying to convince them were weren’t trying to make them look crazy or stupid (which we were)  and figuring out how to make a schedule work between them and our “avant- garde” host Doggie Dave.

Max continued to throw projects my way and I kept doing what needed to be done. So then he bumped me up to assistant producer on Fill My Grill, a show about customizing BBQ equipment with Richard Karn.

Then one day I was at my desk when I heard Max knock over a bowl of jelly beans. The clash echoed through out the whole office, as the usual chaos came to a silent halt. What followed was a yell of, “What do you mean ‘you don’t talk to me that way?'” Something was up and someone was getting fired.

To be continued…

–Jack Out (Also I won’t drag this out like Jill. I’ll update it in a few days.)

 
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Posted by on June 21, 2013 in By Jack, Writing

 

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Marty’s Half Dozen Chapter 4: Part 2 — by Jill

Let's Dance!

Let’s Dance!

“Last call was fifteen minutes ago.” I told Ralph.

“That’s a shame. My waitress didn’t inform me. I’d hate to have to tell my good friend The Pearl about that.”

I glared. Ralph was mocking me about tattling to the owner. But I didn’t care. I wasn’t the scared newbie bartender he managed to intimidate into a panic from a few months ago.

“Awww c’mon. You still ain’t sore about that? Tell you what, I’ll buy you one. And good ol’ Solo Man can have one too!”

“I d-d-don’t want one.” Solomon insisted.

“Just shut up and take the free drink, fuck-stick.”

“I said get out.” I said, pulling Ralph’s bullying away from Solomon.

“No you didn’t.”

“Then I’m saying it now. Pay your tab and get out of here.”

“See the way she treats me Solo Man?” Ralph slapped Solomon on the shoulder. “Eh, you’re no fun. Fine I’ll get out of here.” Finally, he threw down his credit card. I ran it and slapped down his receipt and tossed the pen on top.

He picked up the pen, “But know you ain’t ever gonna be good with Marty ever again, right?”

His accurate perception of my distance from Marty made me pause. Either Ralph had gotten lucky and coincidentally stumbled upon my recent turn of events in his efforts to fuck with me. Or he was right.

As he signed the check, ” I mean, I’ll give it to the guy. He’s got a knack for cutting right to the heart of anyone sad enough to listen to him. And right there on the spot. Like a shrink with super powers. Solve the problems of your soul in seconds flat. I ain’t never seen anything like Marty in my whole life.”

“Glad you’re a fan” I said with arms folded.

“Yea, well that’s the rub. That’s a lot of power for someone to have over you. It’s scary if you think about it. I mean, it’s seems like a neat trick at first. Instant insight, like that. It’s why chumps go to fortune tellers and read horoscopes.  But when someone gets as close as he does? And that quickly? Feels like somethin’ ain’t quite right. Being that vulnerable that quick. 

“What do you want Ralph? You’re keeping me, to bitch about some old guy who got you thrown out of here months ag–?”

“He’s angry.” He said cutting me off.

There was a long breath.

I had expected any accusation Ralph would make to Marty’s character would be said with glee. But the way Ralph said it was…heavy. His eyes were terribly sad and his throat was both full and empty. 

But despite Ralph’s gloom, his comment offended every part of my body. Ralph and I locked eyes sharply, partly to access the truth, and partly from a searing need stare him down. To get him to take it back. The tension in the room was almost tangible. Solomon looked at the both of us, not making a move for fear it would trigger an explosion. But Ralphs eyes weren’t fighting me. There was an exhausted futility. Almost a frustrated surrender.  He was the one to break the eye lock by finishing his drink.

“I’m just sayin’ you–“

“Get out.”

“Hey I just think–“

“Get. Out!”

“Look, I’m sorry if–

“GET OUT! GET OUT! GET OUT!”

“Jeeze calm down, will ya?”

I turned around and grabbed a fifth of Smirnoff Vokda and lobbed it at his forehead. It only hit him in the shoulder as he turned to shelter himself. As soon as he turned was met by two rocks glasses as my response.

“OKAY OKAY! I’m going, you crazy bitch.”

He put on his coat and walked to the door. I immediately locked the door behind him.

There was a long silence as I picked up and broken glass pieces. Solomon came over to help me. I wanted to tell him, he didn’t need to help, but I couldn’t speak. Not yet. Finally after sweeping the area, (with Solomon holding the dust pan), he broke the silence.

“Jill?”

“Yes, Solomon?”

“You okay?”

“Yea, I’m fine.”

Solomon reached into his wallet to pay for his one cider.

“Don’t worry about it. You helped me clean the place. That’s certainly worth a Strongbow.”

“Th-thanks.”

I walked him over to the door to let him out.

“Have a good night, Solomon.”

“Thanks, Jill…” But I could tell he had more to say.

“Wh–” he glanced down, then over, then down again, then finally back to me, “Wh-what did that g-guy mean? About Marty being an–angry?”

There was another beat of silence.

“I mean, we all get angry sometimes right?”

“Sure. That guy’s just a jerk.”

“Okay, good night.” He didn’t have the courage to press the question further.

But that wasn’t what Ralph meant at all. I couldn’t admit it to myself at that moment. It was too terrifying, but Ralph had nailed the very fear that was pushing me away from Marty. That the happy-go-lucky, live in the moment, appreciation for everything old man that had managed to penetrate past all my walls and see me at my weakest might, just maybe have it in him to exploit that vulnerability. “Angry” could have meant anything. But somehow, in the last few weeks I had found myself worried that Marty might have it in him to lash out and use it. I don’t know why I thought that he would. I’d never seen him lash out at anyone. And for weeks I would wonder why I would have such a reaction. It wouldn’t be for a few more months that I would learn the truth that I was so afraid of. 

 
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Posted by on June 2, 2013 in By Jill, Marty's Half Dozen

 

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Marty’s Half Dozen Chapter 4: Part 1 — By Jill

Think I'm getting the hang of it.

Think I’m getting the hang of it.

The crash, as it turned out, was ruled the woman’s fault. Time had passed and I was starting to feel like myself for the first time since moving back to Seattle.  At Wild Child Wings, I could now handle the main bar on a Saturday night by myself without writing a single order down. And if anyone gave me shit, I had a line of regulars ready to throw the bum out.

There was Eddie a lanky Irish banquet server from up the street. Carolyn, an actress who was in the “inner circle” of Seattle Equity actors. She had the cutest Hello Kitty backpack even though she must have been 34. Thomas and Stanley, two newly weds. I always thought it was funny that they came all the way down to drink at Wild Child in Pioneer Square rather than staying in the much more gay-centric Capital Hill. And Solomon. Solomon had a sheepish quality. He didn’t like to come when the place was busy and he often stuttered when it was.  Someone told me that he took care of his mother, but others said that he lived with her because he had had a nervous breakdown. I didn’t know which and I didn’t care. He also used to tip me in half dollars. And I love half dollars. They’re the perfect size.

The only one I didn’t see often was Marty. Something was different now. He had been there for me in the bleakest of moments and instead of that making us closer, I had started to avoid him. Marty always used to come in on Tuesdays and I had told Gus I couldn’t work them anymore. When Marty did come in, I put up a wall.

When he came in on a Friday, I did my best to play it cool.

“And how is the night treating you?”

“Good.” I replied as I turned away to restock the lowboy.

When I came back a few moments later, I dryly asked “So what’ll it be? The usual?”

He looked at me, maybe deciphering, maybe interpreting, and maybe just thinking. Then he answered, “Sure. Sounds good,” Giving me a smile as if to say, ‘It’s okay, do what you’ve got to do.’

He ate his wings with a contented smile as he turned to Solomon.

Meanwhile, Carolyn argued Stanley about Pride week.

“How can you say that?” Carolyn exclaimed.

“I’m sorry, I’m just over it.” Stanley matter-of-factly retorted.

Thomas, with his arms hugging Stanley’s waist silently mouthed “He’s not.”

Stanley instantly responded with a playful slap to Thomas’s face. “I am, it’s become too commercial. I mean, there’s corporate sponsorship.”

Carolyn interjected, “Jill! Tell Stanley he’s full of it, then cut him off!”

“What makes you think I give two shits about Stanley’s Pride participation? All I care about is if he wants another Goose on the rocks.”

“As it should be! And I do!”

On the other side of the bar, Solomon looked deep into his Strongbow. “Are…yo–you sure?” Marty wiped his hands and took cash out of his wallet placing it on the counter. “Solomon, I’m not 100% sure of anything. But you have needs too and there comes a point when you’ve done all you can for someone.”

“You’re going? B–but what if–“

“Solomon, if it does…there’s nothing I can say to stop it from happening. And I would hate to think that your anticipation of it stopped you from living the life I know you deserve.” With that Solomon gazed back into his Strongbow. Marty put his hand on his shoulder. “Have a good night, Sol.

Marty put on his coat and headed towards the door. Out of the corner of my eye, I watched to see if Marty would look back and give me some sort glance or wave goodbye.  

“But it’s not. It’s about expression, right Eddie!”

“Carolyn, are you talking about football?”

“No, we’re talking abo–“

“Then I don’t give a flying fauck!”

With that the entire group erupted with laughter. The clamor obstructed my view of the door.  When the group died down, Marty was long gone.

The night died down and one by one Wild Child Wings emptied out and I started to get ready to close. The only one at the bar top was Solomon, still staring into his Strongbow Cider.

“Hey Jill, I have one table left. Just one guy over in booth 3. Can I transfer him to you and get out of here?” On weekend nights we have a server or two to take some of the tables. Lindsey was always antsy about making the last bus.

“Yea, just let him know, it’s last call in 15 minutes.”

“Thanks, Jill.”

I went over to Solomon. “You’ve been nursing that cider for like 2 hours now. You okay?”

“Yeah. I think so. But…” Solomon lingered with his thought, as if he was about to ask a question that would ruin his whole outlook on life. Like a kid asking this parents if Santa Claus is real or a wife asking her husband why his office didn’t know he was going on his “business trip.”

“But what?”

“You and Marty used to be really close right?” I was afraid that I was going to have to confront Marty and my estrangement sooner or later. I just didn’t expect it to be with Solomon.

“Yes. Yes we were.”

“Then you were in that accident. And then…nothing. What happened?”

That very question I had spent dozens of 3 am mornings trying to figure out. Notions of my own sense of vulnerability that Marty had managed to penetrate deeper than anyone before. He was there when I was my weakest and most desperate and I couldn’t stand that. There were questions I was afraid to ask. What was he doing there the night I had crashed? Had he been watching me? Had I simply out grown him? Too many feelings and I just found it easier not to address.

“Nothing happened, Solomon. We just grew apart.”  

“Hmm…” He took another moment. “Do you trust him?”

Now it was my turn to take a moment.  I wanted to say yes. To say no would call into question all the wonderful things he had done for me, and all the other people I’ve seen him help night after night. Sorting though their problems with an uncanny sage-like wisdom. His ability to pierce though a person’s exterior and almost instantly know their inner thoughts and fears…helping these people see what they’ve been running from. A gift like that, it must come from an altruistic and giving person. Because otherwise…it would mean that…well that was something I simply couldn’t think about. And so, in avoidance of that possibility I started to answer.

“The thing you have to understand about Marty–“

“She doesn’t.” A voice from booth 3 interrupted.

“Excuse me?” I inquired.

“She doesn’t trust him.” The voice continued.

Then the patron stood up from the booth. It was Ralph. “And I’ll tell you why…how about a Negroni?”

 
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Posted by on May 5, 2013 in By Jill, Marty's Half Dozen

 

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Parts of a Whole — by Mack

Something's gotta change.

Something’s gotta change.

“I gotta go. I promised I’d meet my friends on the east side. They’re waiting for me.”

I’ve said those very words a dozen times. Now they’re being said to me. Katherine, with her shoe half way on, slips her index finger into the heel as a makeshift shoehorn. I reach for her wrist and lead her back to the bed. Before she has a chance to object, I soothe her with a kiss. With my tongue in her mouth she gently sucks, then releases, but not before biting my lower lip. I think she just might stay.

She breaks away. But with one part consolation, one part condescension, she cups my chin. The way someone might to a silly dog.

“You’re too much fun, you know that?” She gently slaps my cheek.

I want to say, “Please stay. I love the way you reach into my shirt from my sleeve. I was hoping we’d wake up together in the morning. I could make breakfast and you could do that thing where you hug me from behind and you rest your head on my shoulder.”

But instead I say, “It’s all good. My buddy, Ian has a thing in Williamsburg.” What else am I going to say?

It’s later.

“What was I supposed to say to her, Mack?”

It’s a different time and a different place. Since high school, over the last ten years of my life, I’ve played around, had fun in the city. But not Malcolm. He got a serious job, got married, had a kid, and is now getting divorced.

“She said she just wasn’t happy anymore. And I knew it, too. She didn’t lead on, but I knew it. Hell, we were still talking on the phone 2 times a day and texting all through out. But…I just had this feeling. I’m fine though. I really am.”

I want to believe that. But I can’t imagine how he could be anything but devastated.  I just want to say that thing, that nugget of wisdom that makes the world alright again. But the only thing that comes to mind are television inspired cliches. I am woefully ill-equipped to make any substantive comment whatsoever.

“That sux, man,” is what I come up with.

It’s even later.

“So you said the horse is big, like a Clydesdale. Dark, with a white star on his nose, and is eating the flowers around the room? Well the horse represents your ideal mate.”

“Oh my gawd! This…is…so freaky!” Beth says as she puts her hand on my arm.

I’m running The Cube. It’s a personality test/game/cold read exercise pickup artists use. It’s no wonder I have no faith in marriage. If it couldn’t work out for Malcolm and Meredith, how could I ever believe it would ever work out for someone like me?

“So you probably like your guys big, but since he’s eating your flowers and they represent your social circle, I bet your boyfriends often get in the way of your friends.”

Her eyes are so wide now, they’re about to pop out of their sockets. She puts both of her hands over her eyes and throws her head back in disbelief.

“My mama, says that exact thing to me awull the ti-em!”

It’s a little earlier.

Malcolm is singing in front of the bar. I have no idea how he can get out the words to “Don’t Stop Believing.” I don’t care how drunk or how much of a high he gets from karaoke, after that bombshell, I don’t see how anyone can be a believer.

Now it’s much later.

And I have made peace with the fact that I am kissing a married woman. She understand a part of me no one ever has before.  It’s the polar opposite of Beth. I didn’t go after Nadia, it really did just happen. But I am not thinking about the how. I’m thinking about the profound sense of wholeness I had given up on ever finding. And the nagging knowledge that it will not end well. I’ve crossed a line. I am someone who has done irreparable harm. But I keep telling myself, “I don’t believe in marriage anymore.”

It’s earlier.

Back in the bedroom with Katherine. She’s putting on her coat and pulling her hair out from beneath the collar to flop down on her shoulders. As she leaves, the light spills into the room. Katherine has a beautiful silhouette. I could be happy with her. But for some reason it isn’t happening. It’s just out of reach. Something has got to change. I give it one more shot.

“Let’s do something next week. What’s your Wednesday like?”

She peeks her head back around the door.

“Yea, I’m pretty busy. But text me…gotta go.”

So something does change.

I’ll become deeply puzzled…

“We still talk, Mack. Hell, I still talk to her father. I’ll always love her. But more I came to understand her the more I realized I wasn’t what she needed.”

“Was she what you needed?”

Malcolm chuckles to himself.

Then reckless…

“But the star on the nose of the horse means you won’t settle for anyone who doesn’t stand out. Like really special.”

My hand goes to her inner thigh, right in the middle of the Starbucks.

And finally selfish…

“I should go.” Nadia whispers.

But she doesn’t move. She’s curled up, cradled in my arms as I’m sitting on the floor with my back against the refrigerator. I could spend the rest of the day here. All my defenses are down. I’ve never had this before. How was I supposed to abstain from this? How was I supposed to say no? Don’t you have the right to be selfish sometimes?

Nadia finally gets up. I want to ask, “Where do we go from here?” but I’m terrified of what she’ll say.

She looks at me with profound sadness in her eyes. I know at that moment I will never see her again.

Something has to change again. I just have no idea what to do anymore.

 
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Posted by on March 21, 2013 in By Mack, Dating

 

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Marty’s Half Dozen Chapter 3: Part 2 — By Jill

I sit silently in the emergency room chair. Marty talks to the cop. The woman I hit was wheeled in a hospital bed to a curtain drawn space twenty feet from me. I don’t know any details so my imagination goes all over the place. What if, because of me, she’ll never walk again? What if, because of me, she never gets married? What if she has nerve damage and can never feel an orgasm again. I make no effort to censor my thoughts. I take a deep breath and an incredible sharp pain pierces my lungs. This send me into a coughing fit that hurts even more. The X-ray showed two ribs were fractured, but not broken.

Marty comes back over to me. I still have no idea why he’s here. Part of me is afraid to ask. But the bigger part is glad he’s here. My parents are out of town and being alone right now would be so beyond terrifying I’m pretty sure I’d shut the whole world out.

“Try not to take so deep of breaths. Want me to get you more water?” Marty inquires.

I look down. My cup has three ice chips. No matter how much I push at them with the straw, all they will do is slide along the bottom rim of the plastic.

“No. That’s okay… What did the officer say?”

Marty sits down next to me.

“Don’t worry about that now.”

“People don’t say ‘don’t worry’ about good news.”

“No, it’s just that–“

“Fuck you, and fuck your stupid hospital!” A woman who can’t be much younger than me,  wearing all black and dyed pink hair with blond roots showing, screams as she stumbles out of her curtained room.

“I’ve been here for four fuckin’ hours and I know you fuck heads are laughin’ at me.”

The police officer approaches her and directs her to sit down.

“You can’t keep me! I know my rights.”

She stumbles off. On her way out she knocks over a suture cart. The metallic crash echos in the hallway.

“Things could be worse.” Marty points out.

“Not knowing is worse.” I choke up while saying.

“Hey. Listen. You weren’t drinking, were you?”

I don’t reply.

“Jill? ”

I look down at my shoes.

“Okay, well I’m a lawyer. I can–“

“You’re a tax lawyer, Marty.” I say sharply.

“I have friends.”

“I wasn’t drinking.” But I still shouldn’t have been driving.

“Well, good. So you don’t have to worry about that. Even if it is your fault–“

“That what the cop said?”

“No. They don’t know yet. It’s snowing. It’s probably going to be a no fault accident.”

“But if they do find that it was my fault?”

“Well…you’re insured right?”

“Right now I am.”

“What does that mean?”

I look down at my shoes, again.

“I uh…” I rub my hands over my forehead then brush the hair out of my face. I feel doomed. But until the words come out of my mouth, I can still linger in that denial. I think I understand, for the first time in my life, what it means to ‘face reality.’

“I’m not supposed to be driving. I’m an epileptic.”

Marty’s reassuring demeanor vanishes as he takes in the new information. His mind is chewing it. Thinking. He is determined to find an answer. To save me. Then he lets out a breath and, for a split second, I can see defeat in him. It’s a deflation in his character. In the way he holds himself. Then a mask goes up.

“Well, that doesn’t mean…”

He wants to make it okay. He wants me so badly to be safe that he’ll lie to me.

“Please Marty, don’t. I’ve lived my whole life of people lying to me. Not you too.”

He starts to refute my accusation but then stops.

“I’m sorry.”

For the first time, the ER is quiet. Then two women in high heels and very short leopard print skirts walk in. The first one sings ♫”I got glass in my foot”♪ and her friend sings back up ♫”She’s got glass in her… foot!” ♪

“Did you have a seizure?”

“I don’t know. I really can’t remember…which makes me think…” I can’t finish the sentence. A golf ball swells in my throat. It feels like cancer. I wish it was.

“It’s impossible to know what to do or what to think when you’re in that oblivion of guilt. You’re not a bad person, you didn’t want to hurt anyone, but here you are with someone hooked up to a beeping machine.

It’s hard enough to trust yourself with your own problems. But now someone else’s fate is on you because of a mistake, not even consciously made. How could you ever live with yourself?

You’re not the only one to walk away from an accident terrified that someone’s blood might be on your hands. Twenty-three years ago, I sat in a waiting room. Only it was an ICU, not an ER.  And it wasn’t a stranger. Those moments of not knowing…they’re the seventh circle of hell. But they’re nothing compared to the torture you endure from a guilty imagination.”

I look over at Marty. Until now, he had always struck me as a man free of worry, embodying a perpetual calm. But here was a man sentenced to a remorse so profound, so crippling it was as if the despair wore him like a cheap suit and a weathered mask.

He doesn’t say anything for a moment. I almost ask him something, but before I can–

“My son pulled through. I thank God every day for that. Two things never happened after that night. I never drank again. And my wife never spoke to me as her husband.”

Another long silence. Maybe the two girls were still singing and maybe the man in the room down the hall is still demanding more Percoset. Maybe the girl in black is being cuffed and dragged back. I wouldn’t know. Everything was so beyond my awareness at that moment. Everything but me and Marty.

“But I smiled again. It did happen. And good days followed once I did.” 

I sat back in my chair and took stock of everything I was until this moment, bracing for all that was about to change.

 
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Posted by on February 12, 2013 in By Jill, Marty's Half Dozen

 

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Marty’s Half Dozen: Chapter 3 part 1 — By Jill

The funniest things...

There was a tree I used to climb when I was a kid. I haven’t thought about that tree in years.

I wallowed in a bubble of nothing. My eyes closed, I focused on the cold air of my breath and leather-like-plastic of the steering wheel. There are moments one has to remain ignorant of…for at least a few minutes. Because once you peek around the corner of the unknown, you’ll understand the reality of the situation. A reality where your whole life will change. So instead I lingered in ignorance.

After what seems like hours, the wallowing becomes uncomfortably hot. Like a furnace left on all night, but you’re just too exhausted to get out of bed. There’s a knocking. Not the patterned *knock, knock, knock* *knock, knock, knock* but an incessant rapidity and increasing intensity. “tap, tap, tap, tap, tap, tap, tap, tap, tap, knock, knock, knock, knock, knock, bang, bang, bang, bang, bang, bang, pound, pound, pound, pound, pound, pound” I never realized it, but those are all onomatopoetic.

“JILL!” I hear, muffled, but emphatic. “JILL!”

What…who knows I’m here. I don’t even know where my glasses are. I manage to swat my arm completely missing the door handle. My knuckles land somewhere between the locking pin and the window. The glass is so cold. Too tired to swat again, I work my finger tips around the locking pin. It’s so hard to get a grip, even once my fingers wrap around it, I can’t press them into a grasp.

“JILL, YOU CAN DO IT.”

I swallow. That’s painful too. I have to take a breath or two before I try it again. I try to pull the pin one more time, but instead I give up on manual labor and it occurs to me to drag my hand to the automatic door lock. Rounded and grooved at the ends, of course the first time I press it I relock the car. I then try the other direction on the switch. Immediately a gush of freezing wind and the smell of fireplace overwhelms my senses.

“Jill, you’re going to be okay.”

A warm hand cups my chin. Then moves to my forehead. Finally I feel a forefinger and a thumb pry open my eyelids.

“Jill, can you see me?”

I squeeze my eyes shut. It can’t be…what’s…Marty doing here?

Too be continued…(more regularly)

 

 

 
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Posted by on January 21, 2013 in By Jill, Marty's Half Dozen, Uncategorized

 

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The Jackass — By Jack

Out of control.

Speeding down Van Nuys, Marcy demanded Donovan stop for the yellow light. Her Mini Cooper came to a halt so suddenly, I’m sure the tire tracks will be scorched into the boulevard for at least a decade. I quickly became fascinated by Donovan’s recklessness. In my life I’ve always been analytical and careful. Careful of my safety, careful of other’s feelings, careful…of well everything. And this guy seemed to be the antithesis of that. I had to take a closer look at this man/boy who represented everything I was not. I guess that’s how I ended up in his girlfriend’s car quite possibly endangering my life.

Marcy is a host at a bistro I managed to get a job at. People from work were supposed to meet up at this bar after the shift. But as usual I ended up there too early, so I went to a nearby In-N-Out. The minute I walked in, I heard someone call out my name. It was Marcy. The relaxed eyelids and blithe smile was starkly opposite to her usual demeanor and thus a dead giveaway that she was stoned. Sitting with her was her boyfriend Donovan and his friend Johnny. Donovan instantly engaged me and asked if I wanted to smoke out with them. I figured, why not, and got my burger to go. In the time it took me to get my burger Donovan managed to connect with me on our east coast roots, get Johnny to scarf down his two burgers for the sake of expediency, and jumped behind the register counter to grab me a cup of water and give a high fives to three of the employees. On our way out we passed two cops. Donovan gave them both a high five then decried “You know what I always say? Don’t shoot ’em, fuck ’em.” Once the police officers were safely inside, he climbed onto the trunk of their squad car, posing, and had Johnny take pictures on his iPhone.

I was ambivalent, torn between running as far away from this guy as possible and trying to figure out his secrets of confidence and charm. I could see Marcy’s frustration growing. She wanted to check the bar to see if anyone from work was there and Donovan insisted they head back to the apartment to smoke more weed. He told her to check the bar while he grabbed the keys to her Cooper from her purse. When she emerged from the bar, she found him tearing up the parking lot driving wildly in her car. Mack had always said that girls were attracted to dangerous guys despite their best interests. I had always rolled my eyes at the notion, but here was the proof. Continually Donovan dismissed Marcy’s wishes for wildly foolish and sometimes dangerous choices. His only reprimand? A slight nagging, immediately ignored. And as quick as I was to judge Marcy, there I was, getting in the car with him. Who was this guy?

Back at the apartment, he smoked me out and then danced crazy to Afrojack’s Rock the House. Marcy played with her dog and Johnny tried to dance too. But Donovan just danced harder putting Johnny in his place. I got a text from my coworkers informing me of their arrival at the bar. Marcy immediately wanted to return so Donovan rolled a joint for the road. Immediately my mind jumped to the probability of culpability should Donovan’s driving get us pulled over and the joint was found. I figured, should such a thing happen, one joint on his person probably wouldn’t get me into much trouble in California. But I was aware of the risk.

But here’s where my concept of Donovan radically changed.

Up until this point I saw a wacky, gutsy, foolish and possibly overcompensating individual with an abundance of charm. A dangerous combination? Definitely. But the danger was from a place of foolishness and youth. Something that hopefully, life’s hard lessons could correct. Then I saw something else. As we got back into the car. Donovan takes out the joint and hands it to Johnny. “Hey buddy, can you hold this?”

Could it just be that the joint wouldn’t have been safe tucked behind his right ear? Or maybe it would have been crumpled in his jacket pocket? Possibly. But the way I saw it. Should he get pulled over, the joint wouldn’t be on his person, it would on his friend’s. That’s then I decided the jackass was an asshole. He would never listen to Marcy’s nagging to slow down. I was, now, actually concerned for the pedestrians as the Cooper turned right in front of them crossing the intersection. And later that night I would sympathize without surprise when Donovan would decide he was too cool for the bar and leave Marcy to cab home.

Donovan’s self-centeredness bordered on psychopathy and I was glad he was gone. But that doesn’t mean I wasn’t fascinated by him and what he was able to accomplish with his ability to influence those around him.

–Jack Out

 
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Posted by on December 30, 2012 in By Jack

 

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Meditations on Fools — by Jack

One after the other

Ed Wood, Derek Zoolander, Shaggy and Scooby, Rosencrantz and Guildenstern, Ron Burgundy, Donna Noble, Falstaff, and the holy trinity, Larry, Curly, and Moe. What do these cinematic and literary icons all share? Their ineptitude for logic and common sense. In other words, they’re fools.

I’ve begun work on a new spec scripts (finally) and decided to make the theme of the story centering on the archetypal fool. So in preparation I’ve begun meditating and ruminating. It seems that every comedy has a fool of some sort. In sitcoms, there’s usually the idiot character. Friends had Joey, Seinfeld had George Castanza, and The Simpsons may have the greatest fool of all time, Homer. In film, we’ll watch whole stories about Forrest Gump, Everette McGill, and Don Quixote.

Sometimes they exist to amuse us and make us feel better about ourselves. They dance through life, as random happenstance protects them from danger, completely unaware. (Think Baby’s Day Out)

But sometimes the fool is not so lucky. These ones are trapped by their short comings, doomed to make the same mistakes over and over again. I sympathize with this fool. Their struggle is a reflection of our own wrong headed but continued behavior. Ed Wood is a difficult movie for me to watch for this very aspect. I will point out that this fool is, many times, not a fool at all. But someone who views the world in such a new way, he is rejected. Moneyball‘s Billy Beane is a primary example. And although he is right, it doesn’t make him any less tragic.

Why is the fool a necessary part of our pop culture? Maybe it reaches back to when we were children. We were cruel to the fool in class. The crueler we were to them, the more we distanced ourselves from the possibility we could be one ourselves. We lacked the sympathy and compassion to do otherwise. As we grew older, we viewed our parents as the fools. (In many teen geared sitcoms, the parents are the bumbling idiots, completely out of touch with reality.) And as we graduated into adulthood and came to see the expansiveness of reality, some of us started to view ourselves as the fool. Taking chances we couldn’t possibly guarantee the success of. Or getting ourselves into complicated situations where, in the confrontation of the moment, we acted foolishly. While in retrospect, the wiser choice seemed so obvious.

Have you ever heard of candy floss?

Have you ever heard it called candy floss? WTF Britain?

These two sides, the fanciful fool and the regretful one…I want them to meet. Set them at odds. I want to take the pained lamenting man and have him grab the dancing moron by the shirt collar and demand answers and ask confronting questions. I want these two to hash it out. And at the end I’ll have them reassemble back into one and see if the fool has changed. I honestly don’t know if he will. I’ll have to find out when I write the story. But in the meantime, I want to take a good good look at him and for a second pretend…

The image I see is of a man, hunched over in his bar stool cradling his pint. It’s a rare moment for him, or perhaps only a moment he has when he thinks he’s alone. I’m not sure if he can identify where his life has gone astray. I’m not even sure if he is even aware of it. He is on a path that he cannot change himself. When he notices that you are there, that he is no longer alone, he spins in his bar stool raising his glass. He pats you on the back or maybe playfully punches you in the arm. He tells you something and he’s so excited to tell it to you. To him it seems like an incomprehensible epiphany so profound that it must have been bequeathed by God himself. And you would be happy for him if you’d not heard it a dozen times before. You offer to buy him a drink. He laughs, dismissing your offer in an attempt to hold on to his dignity. You realize it is painful for him to accept your kindness. But he cannot afford not to. He tells you stories with inflated details and unlikely happy endings. He gives you unsolicited advice and improbably business secrets. And when it’s time for you to go he claps your forearm, pleading that it is far too early for a departure.

You want to comfort him but it is too much. The notion being that any help you render will not possibly bring any sort of lasting change. He now knows the time is at its end and release your arm. He gives you a smile and a thanks, then says he’ll get you the next time. You wish him luck. He swirls around in his bar stool another couple of times.

Just some thoughts.

You know what Mr. T pities.

Does he really need a sign?

–Jack Out

 
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Posted by on November 30, 2012 in By Jack, Writing

 

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Ask Mack! — By…c’mon, figure it out.

The guide.

One day I’m sitting in the apartment, wasting time watching Hulu. I noticed I left an OkCupid tab open and to my surprise found a half dozen IM messages from some chick.

PANDAmonium: So I’ll be up front- I’ve come on to okc to ask for some feedback

PANDAmonium: on a guy matter

PANDAmonium: also im NOT a phone sex operator or scammer

PANDAmonium: yes i am serious about all these things

PANDAmoniumWhy the hell am i messaging you? I put u on my faves list apparently some time ago (I add people who seem interesting) so no, I don’t know u in person

PANDAmonium: and im not wacko despite the out-there ness of this message!

Should I have ignored this crazy person? Yea probably. But a mix of curiosity and sympathy with a dash of inflated ego proved I would choose otherwise. 

BigMackAttack: I was afk. (away from keyboard, for those unfamiliar with internet abbreviations) What’s up?

PANDAmonium: you responded yay! Okay so can I get ur opinion about this…thing?

BigMackAttack: shoot.

PANDAmonium: It’s kinda complicated…stupidly so…but I’ll try to not give alllllthe little details…and perceived details etc. So i had this guy teaching improv — I took his class — Now he’s about 27 and on a side note has a gf (who is also a model) — I’m 98% sure there have been messages, signals, communication if u will- that indicates he wants to fuck me

BigMackAttack: …okay…

PANDAmonium: I want to….plus im into him (as in like him…and on a side note im a feminist so the whole gender divisive women=all emotions men=all sex Annoys the crap out of me…I don’t subscribe to it)

BigMackAttack: You’re not really making any sense…

PANDAmonium: Which part?

BigMackAttack: Like all of it.

PANDAmonium: I’m also almost 100% sure at least 2 people if not more know about this thing we have (aka nothing really…but something u know?)

Why am I still talking to her?

BigMackAttack: Okay. Hold up. Let me ask you some questions. See if I can’t sort some of this out.

PANDAmonium: allright

BigMackAttack: So this improv instructor, have you and he ever hung out outside of class?

PANDAmonium: Well not just the two of us — we’ve been to this bar with ppl from class

BigMackAttack: Does he ever talk to you specifically at this bar?

PANDAmonium: well not like to just me…

BigMackAttack: What is your physical interaction like?

PANDAmonium: physical interaction?

BigMackAttack: Like does he ever put his arm around you? Ever tap your thigh or arm when he makes a point?

PANDAmonium: this one time I gave him a back massage!

BigMackAttack: Oh! That’s big. How’d he react to that?

PANDAmonium: he gave like a high pitched squeal he wasn’t expecting it — he was talking to another girl… but he WAS BEING FUNNY!!!

BigMackAttack: How long have you known him?

PANDAmonium: bout 6 months

BigMackAttack: Shhhh…yea…It’s not looking…

PANDAmonium: k k I know, but so like he does an improv show after class and I go to them a lot and he knows I go to them a lot

BigMackAttack: …

PANDAmonium: and like a lot of his scenes are about like marriage or like one of the topics was “proposal”

BigMackAttack: I think you might be reading into–

PANDAmonium: But he like looks at me when he does them!

BigMackAttack: So there’s eye contact.

PANDAmonium: not exactly, but he turns his head this way, and its towards me and one time he held his hand with his finger up over his forehead…so it was like…you know…?

BigMackAttack: A penis?

PANDAmonium: well yea…and this other time—

BigMackAttack: Okay I’m going to stop you here. Have you ever been on stage before? Like a real live performance?

PANDAmonium: in high school I did Grease

BigMackAttack: You remember those light?

PANDAmonium: yea?

BigMackAttack: How well could you see specific people in the audience?

PANDAmonium: oh 😦

BigMackAttack: All the stuff he does in improv, you have to discount. You’re wasting time if you think you can dissect any of that. If you and this guy aren’t talking outside of class or his show, I’m not seeing any evidence.

PANDAmonium: but theres this energy

BigMackAttack: Doubtful. But here’s a way to test for sure. You have a monologue you’ve been working on, I take it?

PANDAmonium:  not really

BigMackAttack: Wait, you’re an actress right?

PANDAmonium: well, yea but I do improv

BigMackAttack: Get a monologue. Like yesterday. Once you’ve got it memorized, go reserve one of the rooms in the drama building, ask him to help you with it. If you two spend the whole time working on your monologue, he’s not into you. If you two get distracted talking about each other, if you feel that chemistry, then you know.

PANDAmonium: That’ll work?

BigMackAttack: You kidding me? You’ve any idea how many times girls asked me to “work on a monologue” with them?

PANDAmonium:  *O_O*

BigMackAttack: Be careful, though. If he has a girlfriend, you might piss people off or end up with a bad rep. If it were just college, that’s be one thing. But, this is the theatre world. You’ll see these people long after you graduate. I guarantee it.

PANDAmonium: didn’t think about that…thx

BigMackAttack: np

PANDAmonium: feel free to message me if you ever wanna ask me something or if you want my number…

BigMackAttack: That’s okay.

Mack Landers

–Mackified for your entertainment

 
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Posted by on November 25, 2012 in By Mack, Dating

 

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